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Dupli Casa Remembers its Past
Dupli Casa, a private residence by the Neckar river, near the old town of Marbach in South- Western Germany, is a wonderful example of connection and fluidity. It connects the inside with the outside, up with down, air with ground and — most cleverly — past with present and even future. From the outside, the three-storey concrete villa looks like a bit like some sort of a fiberglass motorboat job gone funny, yet it also manages to look immensely appealing and intriguing. From some angles, the structure appears to be standing upside down — the lower exterior rim spilling onto the lawn and forming a part of a roof structure, if the building were to stand the other way around. It could have been blown there by the wind; it could be a StarWarsian vehicle frozen in place; it could be just taking off to outer space. The outdoor swimming pool and the white surface surrounding it seem like a perfect reflection of the house, almost as if the house had been face down on the ground, and when it was lifted off the ground, the process had left an imprint of a swimming pool on the ground and the large window opening in the house. The views from the inside are amazing, especially from the vast ground-level openings that again, give the sensation of flying, being airborne, weightlessness. Everything is fluid, flowing and smooth. All of this is very much in keeping with the main inspiration for the house. The new residence follows the footprint of the previous dwelling and its numerous extensions. The idea was to let the “family archaeology” continue in the new building. It’s a house that remembers its beginnings in 1984 yet projects boldly into the future. Dupli Casa is the work of Jürgen Mayer H., founder and principal of his cross-disciplinary studio. J. Mayer H. Architekten (http://www.jmayerh.com/) in Berlin. Other team members include Georg Schmidthals, Thorsten Blatter and Simon Takasak, plus Uli Wiesler’s architecture studio based in Stuttgart. - Tuija Seipell

Music Scene Spotlight: New Zealand
It’s difficult to find a new world culture that's as musically rich as that of New Zealand. Picking up your brother’s guitar and starting a band with your best friend and his sister is a rite of passage for most Kiwis. The Cool Hunter finds three grown-up versions of these backyard operations who are now taking the music of New Zealand to all corners of the globe, and that's just scratching the surface.Liam Finn (http://myspace.com/theliamfinn) is very much a product of his genealogy, but that only partly explains the appeal of his beguiling music. Finn plays through a memory of family holidays and kids toying in the backyard while his delicate arrangements cast you into a spell conducted only by your own reminiscences.Equal parts fastidious and inspired, there is barely a hip-hop album coming out of New Zealand that doesn’t have P-Money's (http://myspace.com/mcpmoney)production and DJ nous behind it. The epitome of the quiet performer, P-Money keeps schtum and lets the stomp of his gleaming productions blow your headphones.In a world plagued by the manic, Fat Freddys Drop (http://www.myspace.com/fatfreddysdropnz) stand back, holding up a ‘hi-tek soul’ elixir. This is music to be shared by close friends over a quiet cookout that runs from the long breezy summer afternoon into a warm, star-lit evening. By Matt Shea.

ANZ Bank Breakout & Learning Center - Melbourne
Trust Melbourne (the city that holds Design close to its bosom) to be the home of the latest initiative from ANZ Bank; a Breakout Learning Centre designed by Hassell. (http://www.hassell.com.au/en.html)As the title suggests, this large, flexible, multi-purpose space is designed to encourage creativity, however it is in the execution that the freedom from constraints of a “normal” office environment is apparent. Forget about boring corporate colors, obvious branding and drab office furniture (in the style of hit series “The Office”). The use of unexpected materials and contradictory colors in the space and its furnishings produces startling results. Plywood, paint and patterned rubber with industrial raw finishes are topped off with a pop of fire-engine red and frog green! Various-size meeting rooms are equipped with state-of-the art technology to enhance the group experience. Perhaps my favorite design features are the “Tree of Knowledge” and the “Giant Foot”. Just like in a fairytale, the tree grows between floors in a natural raw shape reminding us that the childlike imagination is where creativity is ripest. Beneath the tree, the Giant Foot reminds us about reality and perception. – Kate Vandermeer

J Shoes & Carlos Campos
In a world where the latest buzz is all about “design collaborations” it’s refreshing to see one that is seamlessly and intrinsically linked with outstanding results. Carlos Campos (http://www.carloscampos.com/) is fast becoming a star-on-the-rise with his modern menswear collections featuring well-tailored pieces constructed using exceptional fabrics. His latest collection for Spring 2009 is a study in luxe sportswear with clean shapes, attention to detail and a clean palette of eggshell grey, crisp white and electric blue. The matching shoe collection by J Shoes (http://www.jshoes.com/) features all the same colors in patent, leather, canvas and the collection’s feature patterned fabric from as a highlight. Using J Shoes signature hand-crafted philosophy this collection merges function with form creating a new style of shoe that is neither classic nor casual but a comfortable in-between. The result is innovative, luxe footwear that just seems to “work” without trying too hard! – Kate Vandermeer

Spain Emotion - Tokyo Designer's Week
Hector Serrano Studio (http://www.hectorserrano.com) has curated and designed the exhibition Spain Emotion as well as the communication campaign of the Spanish participation at this years Tokyo Designer's Week. The event is organized by the Spanish Institute for Foreign Trade (ICEX) and will take place in the Spanish Embassy in Tokyo from 30 October to 3 November 2008.More than an exhibition, Spain Emotion is a celebration of the best Spanish design in the Tokyo Designer's Week that encompasses not only this exhibition, but also conferences and seminars; a forum that provides with an exceptional opportunity to get to know at first hand those who are behind the products. The aim of Hector Serrano Studio this year is for emotion to be the guiding threads of their story, and the products its main characters. To this end, they have created a space that aims to surprise, entertain, seduce and encourage, rather than simply showing; four large stages where light dramatises and bathes the surroundings and the pieces in color. Color to communicate the vitality and energy with which the Spanish character is so often identified. In short, an experience aimed at revealing the latest in Spanish design, in a most emotive way. - Tuija Seipell

Dexterous Marketing
The TV world isn't exactly a trailblazer when it comes to marketing but we've discovered a fun exception. The series 3 launch of cult 'serial killer' TV show Dexter by Showtime took a guerrilla marketing approach to the launch, mounting fake pop-up news stands in heavily trafficked public spaces in cities across America including New York (positioned right by Central Park), Philadelphia (at 30th Street train station), Los Angeles (outside the Kodak Theater), Chicago (in the financial district) and San Francisco (Union square). The stands featured the show's star Michael C Hall on mock covers of high-profile magazines like Rolling Stone, The New Yorker and GQ. Snacks wrapped in suitably blood-red packaging also figured on the stands. The two-day pop-up pieces debuted on the weekend to coincide with the airing of the first episode. The innovative idea was dreamt up by experiential marketing agency Pop2Life that also came up with last season's national launch campaign which consisted of custom-made fountains spitting fake blood. Fake blood fountains and fictitious news stands - we can't wait to see they do next season. - Lisa Evans